The Shadow Land, Elizabeth, Kostova, Author; Barrie Kreinik, Fred Berman, Barbara Caruso, George Guidall, Narrators
It is springtime in 2008 when Alexandra Boyd arrives in Sofia, Bulgaria, to begin teaching at the Central English Institute. She looked forward to being there because she and her brother Jack had often played a game in which they picked a place they would love to travel to, and this was the place he had loved. After an argument with him, while hiking in the Blue Ridge Mountains with their parents, he disappeared and was never found. At the time, he was 16, and she was 14 years old. Her thoughts of him are often complicated and emotional.
As the story unfolds over a period of several days, it alternates between her youthful memories of growing up in North Carolina and her present day experiences in Bulgaria. She is now 26 years old, and she is standing in front of a hotel in a country she does not know, where they speak a language she does not understand. She is in a quandary. Her taxi driver has taken her to the wrong place.
As she stood looking up the steps of this unknown, foreign hotel, she spied a few people having some difficulty descending. One of them was in a wheelchair and was quite infirm. A woman she presumed was his wife, stood behind him. A younger man, she presumed was their son, was trying to figure out how to negotiate the stairs with both of them and their luggage. Attracted by that handsome younger man’s demeanor, she offered to help and hurried to their sides. The younger man, Nevin, spoke some English. After their taxi pulled away, she discovered that she was still in possession of one of their bags, a bag which turned out to contain the remains of a cremation. Since Nevin had mentioned that they were going to a monastery, she assumed they were going there in order to bury the urn with the remains of someone called Stoyan Lazarov. She was determined to try and return the urn to them. With the help of another taxi driver, an enigmatic young man named Bobby, she begins her pursuit of the family.
The search for the rightful owners of the urn begins in earnest as they traverse many countrysides and roads in Bulgaria, in what seems to be an unending, unfruitful effort to return the bag and its contents to the Lazarovs. The search often seems to put them in danger. It also seems to endanger the others they have come in contact with who try to help them. Soon there are some violent and frightening moments.
Some parts of the book are much more interesting than others. The first half of the book seems to be about Alex and Bobby and their backgrounds. The second part is about the family that owns the urn and the man whose ashes are in the urn. It was the history of Bulgaria that drew me in and kept me interested when I might have given up on the book. There were several descriptions about the brutality of the Communists after they took over Bulgaria at the end of World War II. Their prison camps and the false accusations and charges presented against the accused will surely remind the reader of the very violence and ferocious viciousness and sadism of the Nazis that they had just defeated. Still, knowing that the Bulgarians had sided with the Nazis, at first, gave me mixed feelings of sympathy for their plight.
Eventually, all of the loose ends are knitted together and the mystery of the bag and its owners is resolved, but it takes a bit too long. The dialog of one of the main characters about his horrendous experience in captivity is too drawn out, too descriptive, and often repetitive. Also, since several characters are telling a piece of the background, it adds to the redundancy of certain parts of the story. I found Alexandra’s character to often be annoying. She tended to melodrama and overly emotional responses. Bobby, on the other hand, seemed more authentic and stable. As the story moves back and forth between the narratives of the different important characters, it also sometimes grew confusing as to where and when the action was taking place. Still, the author does have a way of painting visual images with her sentences which made the book a worthwhile read.
Except for the moments of overdone melodrama, the narrators did a very good job of portraying the individual characters, although a few times, the voice of a character changed suddenly and seemed to become a different character, although the character speaking had not actually changed. Perhaps the age of the character being presented had changed from young adult to older adult or the time had changed from the present to the past, but in those parts of the narrative, it was hard to determine what had just occurred!